Tuesday, January 28, 2020

Philosophy and Ethics Essay Example for Free

Philosophy and Ethics Essay What is Ethics? Ethics is a branch of philosophy, which is the study of what is right and wrong. Ethics is an action of feeling. If you are walking on the street and you see a homeless person, you would ask yourself questions like this: How should I act? Should I help or ignore? When making decision how to ask and listen to your feelings what is wrong or right to is called â€Å"Ethics†. There are many examples that can describe ethics, but people like to explain ethics in an easy way in which everyone can be talking and everyone can be involved in this topic, such as law. By asking questions like: Can laws be wrong? Do laws apply to every citizen in Canada? Why do we need laws? Can laws be changed? These are the kind of questions that can explain ethics. Ethics come from a Greek word â€Å"Ethos†, which means character. This tells that ethics study the action that can be good or bad. The term â€Å"ethics† is often call â€Å"morals†, which comes from a Latin word â€Å"mores†, which means character, habit or custom. Ethics is identifying as morality in philosophy. Why ethics is important to study? Ethics is very important for human life. Ethics teach you how to act. Without ethics, our actions would be unplanned and pointless. If we want to be successful in our life we can do this in only one way and this way is learning about ethics. Everyday people are dealing with ethics and moral issue. For example, you didn’t do your homework last night what should you do should you tell your teacher the truth or should you lie say that you forgot your homework at home or do a bit of both, if your not sure what to do, then this a good chance to learned it study in class. If we study ethics deep it will help are know better for the future and will help us to be successful in life by knowing what right and wrong. What is Metaphysics? Metaphysics comes to us from Ancient Greece meta, meaning higher beyond earth physics or invisible physics. Metaphysics is the branch of philosophy, which study what is reality. It answers the question What is?†. American philosopher Wilfrid Sellars said that metaphysics is the study of how things hang together, and many other philosopher have called it as the first philosophy. So, metaphysics study reality, what can be meaning of life, and if we can talk about the thing that don’t exist. Why is Metaphysics important? Metaphysics is the heart of philosophy. Without a clarification or an interpretation of the world around us, we would be helpless to deal with experience Metaphysics tells if the reality is absolute. It has a specific kind self-regulating of our thoughts or feelings. The world around us is real. Metaphysics is very I important to be study in class because it makes you think more and tells you what reality what should you know or believe that it true. What is Epistemology? Epistemology is the study of knowledge. It answers the question, How do we know? it can be concepts, logical reasoning, as well as thoughts, ideas, memories, emotions, and all things mental. It is describe how mind is related to reality, and whether these relationships are usable or unacceptable. Why is Epistemology important? Epistemology is the clarification of how we think. It is needed in order to be able to decide the true from the false. It is needed in order to use and find the knowledge of the world. Without epistemology, we could not think. We would not be able to distinguish truth from error. Epistemology is correct is the step to which we could understand reality. We all go to school to get some education which means knowledge is have knowledge you are a genius why not studying in class this discipline and learned why do we need to know things why do they help to know more. How does knowledge make our lifes easier. What is Aesthetics? Esthetics is the study of art, and beauty. It also, tells the meaning of art and the importance of art. Why is Aesthetics important? It is important to know what is Aesthetics because it is everywhere in everyday life. You see e person you will say is the person is beautiful or not, if so, what makes it beautiful. It makes you think more, and it also teach you how to judge art and beauty. What is social and Political Philosophy? Is the study of how people can regulate and organized their selves. Social philosophy talks about variety of subjects, from individual meanings to legality of laws. Political philosophy is the study of questions about the city, government, politics, liberty, justice, property, rights, law a legal code and explain how do they work. Why is Social and Political Philosophy Important? It is important to know about Social and Political Philosophy because the main point of a country that maintain regulation is politic such as law, rights, freedom every Canadian citizen should have knowledge on this topic and see how they affect people. What is the Philosophy of Science? The Philosophy of Science is the study of science and how science work and why do we need it to know it and explains what is science, it also tells if there is any science or there is just philosophy. Why Philosophy of Science is important? As we know since has changed people lifes and has make a better life for everyone, so it is important to know we came till here and what can we do for future to make it better, as we all use computers has been having a big affect in our lifes why not trying to know how it is important for us.

Monday, January 20, 2020

The Roy Adaptation Model :: essays research papers

The Roy Adaptation Model Roy began work on her theory in the 1960s. She drew from existing work of a physiological psychologist, and behavioral, systems and role theorists. She was keenly interested in the psycho/social aspects of the person from the start and concentrated her education on this aspect of Person. Thus, the language/thinking of psychology and sociology became second nature to her. The need for intense study of the language and ideas behind Roy's Adaptation Model is its biggest drawback in applying it to many clinical areas. The confusion in the physiological mode's categories could be explained by her concentrating on the psych social during her education.   Ã‚  Ã‚  Ã‚  Ã‚  In 1980, Roy and Reihl advocated a single unified model of nursing and suggested this would insure stability of the discipline of nursing. They maintained concepts and propositions of other models could be combined in summary statements related to person, goals of nursing and the nursing process. According to Fawcett, this position is a simplistic solution to a difficult problem. Nursing, with its limited experience with metaparadigms and conceptual models, is not ready for restrictions on its ways of thinking. It's my belief that this act of advocating a single unified model was an act of multi-oppressed thinking influenced by men, the Roman Catholic Church and the medical world.   Ã‚  Ã‚  Ã‚  Ã‚  During a 1987 conference of nursing theorists, Sister Roy made a number of deferring remarks to a speech made earlier by a male Bishop.   Ã‚  Ã‚  Ã‚  Ã‚  Fawcett also says the Roy Adaptation Model has an extensive vocabulary and that some familiar words (ie adaption) have been given new meanings in Roy's attempt to translate mechanistic ideas into organismic ones. Oppressed Group Behaviour: -assimilating the values and characteristics of the Oppressors. -Nursing leaders represent an elite group promoted because of their allegiance to maintaining the status quo. -leaders of Oppressed Groups are controlling, coercive and rigid. Oppressors: -education is important to maintaining the status quo. -Roy's Model follows the Medical Model and tends to be Totalitarian and therefore is familiar to Medicine - they would want to encourage it. -behaviour preferred by Oppressors is rewarded. -token appeasement (approval) is given to halt change or revolt.   Ã‚  Ã‚  Ã‚  Ã‚  The contributions of this conceptual model are that it will lead to more systematic assessments of clients and an increased quality of nursing practice. It could foster nursing knowledge through organized research and it could provide a more organized curriculum. Roy's definition of person   Ã‚  Ã‚  Ã‚  Ã‚  Roy defines the person as an Adaptive Open System. The Systems' Input is: a) three classes of stimuli: focal, contextual and residual, within and without the system and b) the systems' adaptation level or range of stimuli in

Sunday, January 12, 2020

Kabuki Theatre: Japan’s National Treasure

Aliya Crochetiere Mrs. Crass Theater History April 11, 2011 Kabuki Theatre: Japan’s National Treasure Kabuki Theater has captured the hearts and minds of the Japanese audience from its beginnings over four centuries ago to the present day. In Kabuki wild spectacles of song and dance transpire, different from anything familiar to the Western observer. Its color, drama, and richness of costumes and characters contrast wildly with the simplicity and functionality of which the Japanese people live their lives. Kabuki Theater seen today has been shaped by historical tensions about women, religious influences in Japanese society, and is considered to be the people’s theater filled with unique styles and ideas. In order to understand this wild spectacle and its unique techniques of staging and characters, one must look behind the make-up and understand the drama’s widespread roots deeply intertwined in Japan’s popular culture. The word kabuki, as shown in the history of name, is a type of acting based on the arts of singing and dancing (Miyake 11). However, mixed in this display is a variety of hidden aspects such as make-up, costumes, and special effects that make a Kabuki performance unlike any other. Kabuki is a very complicated, highly refined art involving stylized movement to the sounds of instruments such as the Tsuke that takes many years to master (National Theater of Japan). Unlike Noh Theater it does not use masks, but incorporates a vast variety of styles and effects, from the realistic to the grandiosely extravagant through cosmetics (Leiter 18-22). The colors used have symbolic meanings. For example, blue usually indicates evil and red is used to express strength or virtue. Wigs are utilized to inform the audience about the characters age, occupation, and social status and are worn by all characters in Kabuki (The British Museum). In the theater, each character has a defining moment, called a Mie. The Mie displays the characters personality. The actor assumes a position significant to his character and experiences his climatic moment (Binnie and Wanczura). It usually involves a movement of the head, a crossing of eyes in a powerful glare, and shaking. In this artistic spectacle there are two main styles of acting involved, Aragoto and Wagoto. Aragoto, the rough style, contains heroes who are physically strong, impulsive, fierce, and martial (Brandon). This is reflected in the actors' dramatic, stylized make-up and costumes, and in their exaggerated poses. In contrary, Wagoto features softer, young playboys in more friendly stories. The main manner of Wagoto acting is tender, romantic, or humorous (Encyclop? dia Britannica). Although the styles differ, Kabuki will always be a form of theater that requires a mastery of technique, especially when playing a woman. Unlike Western Theater, Kabuki in the present day features no females on the stage. One feature that sets Kabuki apart from other theater is the Onnagata, a male actor who plays the parts of women. Kabuki was founded in 1603 by Izumo no Okuni, a Japanese princess, with her troop consisting of mostly females (Spencer). The women entertainers, many of whom were prostitutes, performed exotic dances and risque skits causing an instant sensation in Japan with the common people (The British Museum). The idea of women exploiting themselves while creating public messages was preposterous and as its popularity grew, the government was quick to take control of the situation (Lombard, Allen, and Unwin). The prostitution within the theater was believed to be corrupting society and from the 1620's onward, the government attempted to bring them under control. In 1692, women performers were banned from the stage. It soon became necessary for males to take the part of the females and the art of the Onnagata was formed. The Onnagata does not aim to imitate the behavior of a real woman. Rather, he becomes an artificial and idealized symbol of female characteristics as seen from a man's interpretation (Binnie and Wanczura). Those who have mastered the art of the Onnagata have the ability to transform a potentially grotesque situation into an emotionally moving truth. The Onnagata does not rely on facial beauty but the talent and skill to make a room full of people believe the authenticity of a teenage girl played by a 70 year-old man. Today, as a result of issues of women corrupting society and the upper class, females have yet to re-appear on the stage. However, because Kabuki is directed at the common people of Japan, it is believed that women will once again grace the stages of Kabuki (Matsuda). Though Kabuki today is generally more accepted as a National Theater of Japan, it originated from the middle class, the common people of Japan, as a way to express their suppressed feelings under restrictive social conditions (Lombard, Allen, and Unwin). At the time when Kabuki was developed, distinction between the commoners and the upper class was more rigid than ever before, so Kabuki acted as a safe means of protest against dramatic and social conventions. Multiple times it was banned from the inner cities because it threatened with dangerous thought and popular freedom (Lombard, Allen, and Unwin). Kabuki was charged with undermining the morals of the warrior class, yet the government was unable to outlaw the theater completely. It had made its way into the social lives of the Japanese people as it developed eclectically from other art forms. As the people’s theater, Kabuki has a very unique relationship between the actors and the audience. The most celebrated feature of the Kabuki stage is the hanamichi, a long extension from the back of the audience to the stage (Scott 18). This symbolizes the close connections that the actors have with the viewers. A continuous interplay of shouts from the audience and reactions from the actors take place in the Kabuki Theater. The show is often interrupted for an actor to address the crowd, which is responded to with praise and encouragement (Encyclop? dia Britannica). The audience hollers the name of their favorite actor, showing a much closer connection to the actors than the directors (Matsuda). For the first time, the actor is in a position of control of his own actions and originality. Because Kabuki programs run from dusk till dawn, in the theater one can find restaurants, lunchboxes, and snack shops. The audience will eat, drink, and talk all during the performance, treating it much more like a social gathering than a trip to the theater (Miyake 25). Unlike western theater a trip to Kabuki is supposed to a social gathering. The audience enjoys the whole day’s event, not just the individual performances. This is in sharp contrast to Noh Theater, a much more serious and formal theater of Japan that incorporates slow, meditational movements under extremely rigid rules (Matsuda). The Noh performance is in slow motion and is much more popular with the military class than the common people of Japan (Mitchell and Watanabe 1-5). Buddhism, Shintoism, and Confucianism have all had a weighty effect on Japanese philosophies of life. This in turn is reflected in Kabuki drama in an innumerable number of ways. Action in Kabuki plays usually revolves around Confucian notions of filial piety duty and obligation, and the Buddhist traditions such as the impermanence of things or the law of retributive justice (Scott 28). The religious part of the drama is expressed through actions and characters, such as the komuso, who wears a large basket-like head covering and plays a flute (Scott 28). The komuso, who appears in multiple plays, is a religious figure in Buddhism, a priest of the Buddhist sect seen preaching about the religion with his flute. During the Edo period when Kabuki was developed, Confucian philosophy defining the hierarchy of social relations was recognized as official thought and caused an uprising of the common townspeople expressed in Kabuki Theater (Ernst 14). A favorite Kabuki technique is to have a dying man recall and regret all past misconducts and return to his innocent state by time of death (Scott 28). This extends to the Buddhist philosophy that man is fundamentally good and all sins committed during his lifetime are purged upon death. This as well as many other examples shows strong Buddhist influences in Kabuki. Shintoism shines through the drama as well. As one of the most common religions in Japan, Shintoism was also the religion of Kabuki’s founder (Spencer). Many religious ideas and themes are apparent in both historical and domestic Kabuki plays. Kabuki Theater, flamboyant and spectacular, has evolved into one of Japan’s cultural treasures. The drama has developed from controversial ideas of women in society, the religious influences of Buddhism and Confucianism, and from the heart of Japan, the common people, as a free way to express themselves. Although some may argue that Kabuki has lost some of its connection to the general public, Kabuki drama is an irreplaceable aspect of Japanese society that will continue to entertain audiences and influence contemporary drama and Japanese history for years to come. The flashy, colorful spectacle filled with music, movement, and emotion has the ability to take the audience on a journey to a new world. Works Cited Binnie, Paul, and Dieter Wanczura, eds. â€Å"Kabuki Theater. † Artelino. N. p. , 2009. Web. 11 Apr. 2011. ;http://www. artelino. com/? articles/? kabuki_theater. asp;. Brandon, James R. â€Å"Myth and Reality: A Story of ‘Kabuki’ during American Censorship, 1945-1949. † Asian Theatre Journal 23. 1 (2006): 1-110 . JSTOR. Web. 11 Apr. 2011.

Saturday, January 4, 2020

Essay on The Dangers of Cosmetic Surgery - 1084 Words

Society has indoctrinated men and women to believe that in order to be considered â€Å"beautiful† you must look like the images on television, billboards, and magazines. C. Credibility: Since one of my friends has undergone cosmetic surgery, and I have heard numerous of stories about cosmetic surgery I feel prepared to speak about the issue. D. Propositional Statement: Cosmetic Surgery remains a problem in society because it carries a degree of risk such as psychological illness and severe side effects. I propose that people should take a more naturalistic approach and not consider cosmetic surgery. II. Body A. The first part of the problem is that people who undergo cosmetic surgeries are at higher risk for suffering with psychological†¦show more content†¦These procedures include face lifts, rhinoplasty, liposuction, and male breast reduction (Male plastic surgery, 2013). Men also suffer with body dysmorphic disorder (BDD). Some of the famous examples that we are familiar with is Michael Jackson, Bruce Jenner, and Justice Jedlice. Transition Statement: Not only is the development of psychological illnesses a major problem, but the severe side effects play a major role as well. B. The second part of the problem is cosmetic surgeries entail risky side effects that people are unaware of. 1. Most people expect cosmetic surgeries to alter and enhance their beauty; however, these surgeries come with severe side effects such as infections, nerve damage and even death. Whenever the skin is broken and foreign objects are inserted into internal tissues one’s body becomes prone to infections (Hamel, 2014). These infections do not only require antibiotic treatment, but could also cause scarring and require additional surgery. According to NBC News, nineteen women were infected with Mycobacterium abscessus after having cosmetic surgery in 2014 (Fox, 2014). They had to acquire weeks of antibiotic treatment because the bacteria resist the effects of medicine (Fox, 2014). 2. Another potentially severe side effect of cosmetic surgery is nerve damage. If a doctor accidently damages a nerve it can cause problems with one’s muscles and partial orShow MoreRelatedThe Dangers Of Cosmetic Surgery1419 Words   |  6 PagesThe Dangers of Cosmetic Surgery Have you ever thought about getting Cosmetic Surgery? The real question is, is it okay to get this kind of surgery? When do you know what the limit is, when do you stop, when is it okay or not okay? Well, cosmetic surgery is an operation that enhances or alters a part of your body or face that you want changed. If you are considering undergoing an operation, make sure you are aware of what’s involved before proceeding. With more than 55 million cosmetic surgeries inRead MoreTeens Misunderstanding of the Dangers of Cosmetic Surgery556 Words   |  2 PagesIntrodcution Surgery is dangerous! Its causes a lot of deaths, people pop the implants, add a few things to the surgery that was already done and even sometimes want to do the surgery themselves. People do not really think when it comes to cosmetic surgery they just go with what sounds better on their mind. Its most likely a really dangerous thing to do and shouldnt be done on your body. Body Image Teens do not understand how dangerous cosmetic surgery can really be. Before, during andRead MoreThe Side Effects of Cosmetic Surgery1325 Words   |  6 PagesThe Side Effects of Cosmetic Surgery Reading and Writing Level 4 Kirsten Ringstrom April 14, 2009 Table of Contents 1 Introduction 2 The History of Cosmetic Surgery 3 The Trends of Cosmetic Surgeries 4 The Risks of Cosmetic Surgery 5 Conclusion References Throughout recorded history, a pale complexion has nearly always been more fashionable than a tan complexion because pale skin represents a woman who does not have to labour outdoors. 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Unlike plastic surgeons who are dedicated to helping burn victims and birth disorders etc. Cosmetic surgery is enhancing the appearance of a person. Nonsurgical procedures include; botox, laser hair removal, and surgical procedures